• An immersive electroacoustic music.

• Recordings

Premiered by Yi-Ling Ho at NTUA in Taipei, Taiwan, April. 2025. 

• Recording

• An immersive electroacoustic music.

• Showcased by SICMF 2025(Seoul, Korea), JINLAC 2025 (Lyon, France), NYCEMF 2025 (NYC, USA), ICMC 2025 (Boston, USA) SEAMUS 2025(Purdue University, USA), Selected by Turn Up 2025 Multimedia Festival

• Recordings

• A Chamber Music commissioned/performed by Southern Illinois University (USA), and the Little Giant Chinese Chamber Orchestra (Taiwan)

• Recordings

• An immersive electroacoustic music.  

• Showcased by REF Resilience Festival 2024 (Foggia, Italy), EMPIRICA RECORD 2024 (in partnership with MID SIDE APS), ACMC 2024 (Sydney and Melbourne, Australia),
  Ars Electronica 2024 (Linz, Austria), Anthropocene Project Exhibition (Curated by Wilfried Agricola de Cologne and realized by The New Museum of Networked Art, Cologne, Germany), ICMC 2024 (Seoul, South Korea), NYCEMF 2024 (NYC, USA),
  MediSouP 2024 Festival (Limassol, Cyprus), IRCAM Forum 30th anniversary (Paris, France)

• Recordings

Premiered with ensemble and speakers of quadraphonic format in Taichung, Taiwan, Sep. 2022. 

• Recording in Immersive Stereo Format, please use speakers.

• Recording in Binaural Format, please use headphones.

• Showcased by MUSLAB 2023 (Ecuador), MiRNArte 2023 (Venice, Italy), SICMF 2023 (Seoul, South Korea), NIME 2023 "Mixed Realities Workshop" (Mexico), NYCEMF 2023 (New York), Spatial Audio Conference 2023 (United Kingdom), NoiseFloor 2023 (United Kingdom), Earth Day Art Model 2023 (hosted by Indiana University, USA)

• Recording in Immersive Stereo Format, please use speakers.

• Recording in Binaural Format, please use headphones.

• As the creator of this AI music generative system for contemporary classical music, I have overseen the development and implementation of the project. To date, the system has generated 62 works.

• YouTube (link)

• Album (link)

• The electroacoustic music edition showcased at Paysages Composés 2025 Festival

• WebXR music installation showcased at NIME International Conference in Mexico City, Mexico

• Developed a WebXR online virtual interactive music installation "The Breath of the Forest" which explores the dialogue between nature and humans, featuring 8 electroacoustic parts, 22 flute passages, and 8 3D video scenes, allowing players to create 997,272 different versions of the piece. 

• Specialized in creating soundscapes using dynamic techniques to enhance immersion in music compared to original recordings.

• Premiered on 12/14/2019 at WOCMAT Conferences.

• An immersive electroacoustic music. Showcased by ICMC 2022, IRCAM Forum 2022 (New York), Atemporánea Festival 2022, SICMF 2022, and MOXsonic Festival 2023.

• Recording in Immersive Stereo Format, please use speakers.

• Recording in Binaural Format, please use headphones.

• Recording in Binaural Format, please use headphones.

• Recording in Binaural Format, please use headphones.

• Recording in Binaural Format, please use headphones.

• Premiered on 03/06/2022 at Chia-hsuan TSAI Harpsichord Recital “Consonanze Stravaganti.” 

• Recording in Immersive Stereo Format, please use speakers.

• Recording in Binaural Format, please use headphones.

• Recording in Binaural Format, please use headphones.

• Premiered on 03/06/2022 at Chia-hsuan TSAI Harpsichord Recital “Consonanze Stravaganti.”

• Recording in Binaural Format, please use headphones.